Susana Sanromán

Susana Sanromán is interviewed by Rigulio Graak. This interview is part of a series of talks on the WABGNET Global tour. Sanromán shows us his work techniques and tells us about his creation process
WABGNET (Women Artists Born Global Network)
www.wabg.net

Hone your photographic style while discovering how to plan, edit and present your own photo project

Explore your own personal photographic style to use in your photographic practice in this four-week hands-on workshop. The output for the workshop is open ended - you can choose to develop your ideas into an exhibition, book or blog! You will receive guidance from art photographer Susana Sanromán on working your ideas into a cohesive project and tips on experimenting with photographic concepts, techniques, and layouts. From brainstorming to action, kick-start your photo project and build up a creative body of work while learning the theory and practicalities of planning, editing, printing and presentation. DSLR required.

BOOK NOW

Wednesday, 11 September 2019 
Wednesday, 18 September 2019 
Wednesday, 25 September 2019 
Wednesday, 2 October 2019 

10.30 – 17.00
Digital Studio SC

Tickets cost £320.00 - £400.00
​Booking is essential

'Moving Silently' is a  collection of silent shorts, curated by Veronica Shimanovskaya and produced by Ephemereye Art

The program will be accompanied by the Club Foot Modern Machines live orchestra, with Richard Marriott & Ensemble performing Metropolis' original scores.

Richard Marriott - Winds & Electronics, Alisa rose - Violin
Gino Robair - Percussion, Kymry ESainko - Piano & Keyboards
Matt Heckert - Machines, Kal Spelletich - Machines
Shannon O’Hare  & Obtainium Works - Machines

Ephemereye

Empress Theatre
20th July at 4pm
330 Virginia St,
Vallejo, California
94590

Exhibition details
Miniscule Venice  is taking place in Venice as part of the satellite programme of the 58th International Art Exhibition the Venice Biennale. The show could be regarded as a bijou sociological experiment; over 100 artists have taken up the invitation to submit a diminutive art object of any genre or media but with one simple proviso: the maximum size of the work is that of the common matchbox; 2” by 1.5”.
Thinking small and making small is a unique position and while some artists specialise in the miniature or reductive ideas and might consider it a regular part of their creative output, many more do not. For most of the artists participating in Miniscule, the format is an intriguing challenge; a stimulus or provocation; potentially a playful distraction from their standard artistic practice. 
This diverse exhibition presents carefully considered, imaginative but seriously tiny, fragile art objects – an exquisite mass of breeding minisculism. As curator Vanya Balogh describes “Here we will find a toy-box destruction derby of high-concept in abject competition, a kaleidoscope cross-cut of current making and thinking but one set in an equal arena, although admittedly it may be biased towards the ‘less is more’ camp. Is an object to be judged by its size? Does size really matter? Can we say that the London Eye has more impact on the art world than a bicycle wheel?”

Submissions were judged by Mike Trow, curator, editor and chair of the Professional competition of the 2019 Sony World Photography Awards.

"Contemporary art photography is a tricky beast. What makes a photo story an art piece or something that stands alone? There are a myriad of theories but for me, and I hope you may feel something the same, the best art photography challenges norms and forces us to confront notions of existence and history, of uncomfortable sexuality, of the nature of liberty or repression and a myriad of ideas that photography can shine a light on," says Trow.

He goes on to say that he thinks the pieces chosen here give a roundup of where he feels contemporary photography succeeds. "Some of the selected works are by established artists and others not so much, but they all have a view of reality that gives us genuine food for thought. I know I may have missed many worthy pieces and to those artists who feel aggrieved, I apologize. But my choices here reflect some of my beliefs and a desire to broaden my understanding of the medium. Some are deeply emotional, dealing with notions of personal surveillance, others are about the body,  science and just the bizarre imagination made real. I hope this selection causes some debate - and it's legitimate to disagree with the choices. But I also hope this gallery manages to avoid cliche and is visually vibrant and stimulating - and also witty.  "The works all speak to me in different ways, very much in the way we like different music at different times and depending on the emotional state we are in.
 
Trow finds that to be able to look through so much work from around the world, by photographers who believe in what they do, think deeply about what it is they want to say and then to be able to execute the ideas so well is a privilege: "I found it very challenging mentally to have to make decisions on such personal work. The process of editing down made me question much about what is to like something and why. I like all the submissions here very much and because they are quite varied I have no particular favorite. But Der Greif is such an excellent and brave magazine to bring this work to the fore. It creates debate and gives great value to modern photography outside of our daily diet of retouched perfection and throw away images. They work with so many terrific curators and artists and I am fortunate to be a small part of this. Doing this gallery in conjunction with the World Photography Organisation will, I hope,l bring this work to a wider global audience and drive artists to push and experiment more with their practice."

Text: World Photography Organisation

Link: World Photography Organisation - Curated selection

Sat 24 Nov - WOMEN IN VISUAL ARTS BIENNIAL 2018

Carolina Nunez Roca and Vanesa Cejudo Mejias discuss the Women in Visual Arts Biennial 2018 at the County Hall Gallery in London, presented by Brit Es Magazine and MAV Mujeres Visuales and showing creations made by women artists and art professionals both in Spain and internationally. Participating artist-photographer Susana Sanromán, talks about her contribution and her ecologically focused series of large pictures on water, her book Dystopia and The Things We Leave Behind  exhibition at the Leica Gallery, Bank until Jan 2019.

Listen Again - Women in Visual Arts Biennial and Brit Es Magazine - 24 Nov 2018

The News Agents
Resonance FM
Presented by Jude Cowan-Montague

Links:

The News Agents Blog

The News Agents full program

Article written by Jude Cowan Montague
Photos: Susana Sanromán
Artist: Susana Sanroman

Links:
The Quietus
Other articles by Jude Cowan Montague

Full Article

Article written by Brit Es Magazine
Photos: Susana Sanromán
Artist: Susana Sanromán

Links:
Brit Es Magazine

SALON/17

SALON/17, Photofusion’s annual members’ exhibition will showcase the diverse talent of Photofusion's photographic community. For the first year ever they have opened the submissions up to include photobooks. These will be on display to view in the exhibition along size 90 prints and 1 video.From 600 photos submitted Photofusion only 68 have been chosen for the Salon/17.

Photo Poster by Susana Sanroman

Tuesday, 5 Dec 2017
at Ketemu Project
Jl. Batuyang
Perum Taman Asri 3A, Batubulan
6PM

Host:
Ketemu Project in collaboration with CO.LAB by Cata Odata

Featuring:
Dp Arsa
Gentur Suria
Susana Sanroman
Vanja Karas